Trump-Kathy Griffin
In this combination photo, President Donald Trump appears in the White House in Washington on March 13, 2017, left, and comedian Kathy Griffin appears at the Clive Davis and The Recording Academy Pre-Grammy Gala in Beverly Hills, Calif. on Feb. 11, 2017. Griffin and her attorney have scheduled a news conference for Friday, June 2, 2017, to discuss the fallout from the comedian posing with a likeness of Trump’s severed head. The images prompted CNN to fire Griffin from her decade-long gig hosting a New Year's Eve special she had co-hosted with Anderson Cooper. Griffin apologized within hours of the images appearing online on Tuesday. They were met with swift and widespread condemnation. (AP Photo/Pablo Martinez Monsivais, left, and Rich Fury/Invision/AP, File)

The Baltimore Sun (TNS)

Allow us to add our voice to the broad chorus of outrage over the photograph of stand-up comedian Kathy Griffin holding a prop Donald Trump severed head.

It is vile, it is tasteless, and it is shameful. And it has been condemned by just about everyone who has seen it, from President Trump to Chelsea Clinton to Griffin herself — her video apology may be the fastest and most thorough act of contrition witnessed on social media this yeary.

Just as we have lashed out against racist, bigoted, hateful attacks directed at Barack Obama and his family, we believe it is vital to draw a line just as bright for the current occupant of the White House and his family.

We can disagree vigorously without resorting to hate speech or hate acts or hate imagery. Griffin, a “D-List” celebrity by her own estimate, has said she begs for forgiveness. Is her impassioned plea just another attention-getting device? Alas, in the 21st century celebrity culture where notoriety can be made profitable, viewers would be wise to harbor doubts.

Much has been written about the coarsening of the American culture, and so-called “shock art” is often used as a prime example. Practitioners like to imagine themselves boldly getting under the skin of the complacent, the bourgeois and the hypocritical. But at some point — often rather quickly — the blending of crucifixes and urinals, body paint and taboo subjects turns from avant garde to derivative and old.

Yes, as both candidate and president, Trump has reduced oratorical standards far beyond his predecessors’ most oafish moments — even Trump supporters have generally conceded that point, but society was already headed in that general direction.

TV shows, movies and music videos provide a treasure trove of evidence. Howard Stern and Madonna were appalling audiences three decades ago. It just takes a lot more to shock modern sensibilities in 2017.

One can’t legislate good taste or common sense. Still, Americans can be responsible for their own conduct and expect it of others, whether they be liberal or conservative or something off the charts.

We rather like the mantra of the “Choose Civility” movement: Respect, empathy and tolerance. It encourages acknowledging others, assuming the best, being inclusive and, perhaps above all, listening.

So exactly where is the line of decency? It’s always moving, that’s just the nature of society. But perhaps the most reliable test we’ve heard from earlier generations is the “mother test,” which offers this simple guide: If you would be mortified for your mother to read it, see it or watch it, don’t do it.